The Man Who Fell to Earth
The Man Who Fell to Earth
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jjcanvas:

You can get a print HERENew illustration!I hope you like it :)
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crassetination:

Cyberpunk 74
crassetination:

Cyberpunk 74
crassetination:

Cyberpunk 74
crassetination:

Cyberpunk 74
crassetination:

Cyberpunk 74
crassetination:

Cyberpunk 74
crassetination:

Cyberpunk 74
crassetination:

Cyberpunk 74
crassetination:

Cyberpunk 74
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crassetination:

Various Cyber Soldiers 118
crassetination:

Various Cyber Soldiers 118
crassetination:

Various Cyber Soldiers 118
crassetination:

Various Cyber Soldiers 118
crassetination:

Various Cyber Soldiers 118
crassetination:

Various Cyber Soldiers 118
crassetination:

Various Cyber Soldiers 118
crassetination:

Various Cyber Soldiers 118
crassetination:

Various Cyber Soldiers 118
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nubbsgalore:

lightning illuminates an ash cloud that extends ten kilometres high in this june 5, 2011 eruption of puyehue volcano, near osorno in southern chile. known as a dirty thunderstorm, this phenomenon is yet to be explained by science, as the source of the lightning (or the specific mechanism by which particles of differing charges are separated in the ash cloud) continues to be debated.   
photos by (click pic) claudio santana, ivan alvarado, francisco negroni and carlos gutierrez.  (see also: the eruption of japan’s sakurajima volcano and the eruptions in eyjafjallajokull, iceland) 
nubbsgalore:

lightning illuminates an ash cloud that extends ten kilometres high in this june 5, 2011 eruption of puyehue volcano, near osorno in southern chile. known as a dirty thunderstorm, this phenomenon is yet to be explained by science, as the source of the lightning (or the specific mechanism by which particles of differing charges are separated in the ash cloud) continues to be debated.   
photos by (click pic) claudio santana, ivan alvarado, francisco negroni and carlos gutierrez.  (see also: the eruption of japan’s sakurajima volcano and the eruptions in eyjafjallajokull, iceland) 
nubbsgalore:

lightning illuminates an ash cloud that extends ten kilometres high in this june 5, 2011 eruption of puyehue volcano, near osorno in southern chile. known as a dirty thunderstorm, this phenomenon is yet to be explained by science, as the source of the lightning (or the specific mechanism by which particles of differing charges are separated in the ash cloud) continues to be debated.   
photos by (click pic) claudio santana, ivan alvarado, francisco negroni and carlos gutierrez.  (see also: the eruption of japan’s sakurajima volcano and the eruptions in eyjafjallajokull, iceland) 
nubbsgalore:

lightning illuminates an ash cloud that extends ten kilometres high in this june 5, 2011 eruption of puyehue volcano, near osorno in southern chile. known as a dirty thunderstorm, this phenomenon is yet to be explained by science, as the source of the lightning (or the specific mechanism by which particles of differing charges are separated in the ash cloud) continues to be debated.   
photos by (click pic) claudio santana, ivan alvarado, francisco negroni and carlos gutierrez.  (see also: the eruption of japan’s sakurajima volcano and the eruptions in eyjafjallajokull, iceland) 
nubbsgalore:

lightning illuminates an ash cloud that extends ten kilometres high in this june 5, 2011 eruption of puyehue volcano, near osorno in southern chile. known as a dirty thunderstorm, this phenomenon is yet to be explained by science, as the source of the lightning (or the specific mechanism by which particles of differing charges are separated in the ash cloud) continues to be debated.   
photos by (click pic) claudio santana, ivan alvarado, francisco negroni and carlos gutierrez.  (see also: the eruption of japan’s sakurajima volcano and the eruptions in eyjafjallajokull, iceland) 
nubbsgalore:

lightning illuminates an ash cloud that extends ten kilometres high in this june 5, 2011 eruption of puyehue volcano, near osorno in southern chile. known as a dirty thunderstorm, this phenomenon is yet to be explained by science, as the source of the lightning (or the specific mechanism by which particles of differing charges are separated in the ash cloud) continues to be debated.   
photos by (click pic) claudio santana, ivan alvarado, francisco negroni and carlos gutierrez.  (see also: the eruption of japan’s sakurajima volcano and the eruptions in eyjafjallajokull, iceland) 
nubbsgalore:

lightning illuminates an ash cloud that extends ten kilometres high in this june 5, 2011 eruption of puyehue volcano, near osorno in southern chile. known as a dirty thunderstorm, this phenomenon is yet to be explained by science, as the source of the lightning (or the specific mechanism by which particles of differing charges are separated in the ash cloud) continues to be debated.   
photos by (click pic) claudio santana, ivan alvarado, francisco negroni and carlos gutierrez.  (see also: the eruption of japan’s sakurajima volcano and the eruptions in eyjafjallajokull, iceland) 
nubbsgalore:

lightning illuminates an ash cloud that extends ten kilometres high in this june 5, 2011 eruption of puyehue volcano, near osorno in southern chile. known as a dirty thunderstorm, this phenomenon is yet to be explained by science, as the source of the lightning (or the specific mechanism by which particles of differing charges are separated in the ash cloud) continues to be debated.   
photos by (click pic) claudio santana, ivan alvarado, francisco negroni and carlos gutierrez.  (see also: the eruption of japan’s sakurajima volcano and the eruptions in eyjafjallajokull, iceland) 
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3D Street Art

3D Street Art

3D Street Art
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smugasaurus:

ilove-unicorns:

overland-and-sea:

look at all those majestic sea pancakes

Sea pancakes.
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Production Design | Akira (1988)
































As I originally developed [Akira], I used each issue to build more depth and size into this mammoth city [Neo-Tokyo]. I kept trying to achieve this by creating a variety of situations to stage the graphic storytelling. But with film you get to combine all this into one and I think that it is much more convincing on film than in a serialized comic strip. - director Katsuhiro Otomo; P.D. by Hiroshi Ohno, Yuji Ikehata and Kazuo Ebisawa







































Production Design | Akira (1988)
































As I originally developed [Akira], I used each issue to build more depth and size into this mammoth city [Neo-Tokyo]. I kept trying to achieve this by creating a variety of situations to stage the graphic storytelling. But with film you get to combine all this into one and I think that it is much more convincing on film than in a serialized comic strip. - director Katsuhiro Otomo; P.D. by Hiroshi Ohno, Yuji Ikehata and Kazuo Ebisawa







































Production Design | Akira (1988)
































As I originally developed [Akira], I used each issue to build more depth and size into this mammoth city [Neo-Tokyo]. I kept trying to achieve this by creating a variety of situations to stage the graphic storytelling. But with film you get to combine all this into one and I think that it is much more convincing on film than in a serialized comic strip. - director Katsuhiro Otomo; P.D. by Hiroshi Ohno, Yuji Ikehata and Kazuo Ebisawa







































Production Design | Akira (1988)
































As I originally developed [Akira], I used each issue to build more depth and size into this mammoth city [Neo-Tokyo]. I kept trying to achieve this by creating a variety of situations to stage the graphic storytelling. But with film you get to combine all this into one and I think that it is much more convincing on film than in a serialized comic strip. - director Katsuhiro Otomo; P.D. by Hiroshi Ohno, Yuji Ikehata and Kazuo Ebisawa







































Production Design | Akira (1988)
































As I originally developed [Akira], I used each issue to build more depth and size into this mammoth city [Neo-Tokyo]. I kept trying to achieve this by creating a variety of situations to stage the graphic storytelling. But with film you get to combine all this into one and I think that it is much more convincing on film than in a serialized comic strip. - director Katsuhiro Otomo; P.D. by Hiroshi Ohno, Yuji Ikehata and Kazuo Ebisawa







































Production Design | Akira (1988)
































As I originally developed [Akira], I used each issue to build more depth and size into this mammoth city [Neo-Tokyo]. I kept trying to achieve this by creating a variety of situations to stage the graphic storytelling. But with film you get to combine all this into one and I think that it is much more convincing on film than in a serialized comic strip. - director Katsuhiro Otomo; P.D. by Hiroshi Ohno, Yuji Ikehata and Kazuo Ebisawa